I couldn’t make this up if I tried.
I’m all for making fun of people, but the level of classism in this blog is disturbing, and if you run a possum adoption foundation, I don’t care if you’re a juggalo, that is fucking awesome.
the hardest I have ever gothed. when I bought this belt I thought “this is something a death eater would wear.”
SO. Sufjan Stevens worked at Hope College’s paper The Anchor while he was in school. He wrote the most entertaining fashion article I have ever read. This is a MUST READ NOW THING OKAY.
in awe
“That’s bologna!” - Sufjan Stevens
who the hell is going to buy this????
Someone who wants to say “I’m really into Game of Thrones but I’m also really into doing heroin.”
white privilege radically changes the appearance of Tsarnaev bros
This is how brofiling actually works in real life. The Week Magazine ran with this image as their cover sketch.
Just so it is said, clearly and unambiguously: the Tsarnaev brothers are white guys. They are white. The FBI’s own wanted poster for Dzhokhar Tsarnaev lists his race as “white”, but you would never know it from the cover image on The Week.
Hold up the cover to someone else, and ask them how many white people they can see on the cover. Chances are they will identify Gabby Giffords on the top left and the image of the Boston policemen (all white men) on the top right, but how about those two guys in the center? Nope, not a chance that anyone would say these caricatures look white.
Why? Because in addition to being white they are also “Muslim”, which is the current dehumanizing “Other” that whiteness has constructed as a sanctioned target for violence in US popular culture.
This is how white privilege works in media representations and everyday life: when the criminal suspects are demonstrably white men, seize upon any aspect of difference and magnify it such that they become Othered, non-white, and menacing. If it is too hard to do so, simply dismiss them as aberrations and isolated cases of insanity. This is also how white culture, specifically the process of whiteness in conjunction with white privilege, portrays several non-white identities, including those that are now considered white but at one time were decidedly not so. For example, see here for how the Irish were depicted as violent apes or lazy drunks in the late 1800s to early 1900s.
Our society is often described as patriarchal—a society ruled by aging fathers concerned first and foremost with passing on the patrimony. At the risk of being glib, however, I’d suggest that it might be more accurate to say that we have a filiarchal society—a society ruled almost entirely by sons—by very young men. Certainly boys—especially white heterosexual boys—are the most privileged creatures in the Western social hierarchy. They are forgiven almost everything in life—and are forgiven everything in art.
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| — | Samuel R. Delany, interviewed in 1986, “On Triton and other matters” (via communalperversion) |
